About edgecode

I grew up around film sets and studio backlots learned to splice 35 mm at the age of 10 and genuinely liked the smell of a film lab stop bath. I've been working with digital images since 1994 and for the last two decades, I am in motion picture post-production. I can edit on a flatbed, tape to tape and non–linear. I edited six feature films, conformed a dozen, was a post-production supervisor on another three. I oversaw projects ranged from 30 sec. commercial spot to multi-episode series. I turned a motion graphics boutique into a postproduction powerhouse. I coordinated vendors across three country borders and six time zones. I worked with features shot on 35 and 16 mm, R3D, ARRIRAW, and Phantom Cine. I can wire audio and video, I can read scopes and VU-meters, I can ingest, transcode, generate EDL's and cut lists and lay back to tape. I'm not afraid of DCP, IMF, ACES, SAN and LTO. I am trained in Dolby Vision mastering. Thank you for your consideration. Sincerely, Misha Aranyshev
  • Industry FilmTelevision
  • Sector Creative ServicesPost ProductionFilm Production
  • Preferred Job Title Editor

Experience

  • 1999 - 2019
    Freelance

    Film Editor

    Logging, sorting and syncing footage. Editing for style, pace, story and emotion. Creating elements for VFX, sound and color grading. Generating EDL\'s and film lists. Creating deliverables.

Education

  • All-Union State Institute of Cinematography

    Film Production

    The oldest film school in Europe.