About edgecode

I grew up around film sets and studio backlots learned to splice 35 mm at the age of 10 and genuinely liked the smell of a film lab stop bath. I've been working with digital images since 1994 and for the last two decades, I am in motion picture post-production. I can edit on a flatbed, tape to tape and non–linear. I edited six feature films, conformed a dozen, was a post-production supervisor on another three. I oversaw projects ranged from 30 sec. commercial spot to multi-episode series. I turned a motion graphics boutique into a postproduction powerhouse. I coordinated vendors across three country borders and six time zones. I worked with features shot on 35 and 16 mm, R3D, ARRIRAW, and Phantom Cine. I can wire audio and video, I can read scopes and VU-meters, I can ingest, transcode, generate EDL's and cut lists and lay back to tape. I'm not afraid of DCP, IMF, ACES, SAN and LTO. I am trained in Dolby Vision mastering. Thank you for your consideration. Sincerely, Misha Aranyshev
  • Industry FilmTelevision
  • Sector Creative ServicesPost ProductionFilm Production
  • Preferred Job Title Editor


  • 1999 - 2019

    Film Editor

    Logging, sorting and syncing footage. Editing for style, pace, story and emotion. Creating elements for VFX, sound and color grading. Generating EDL\'s and film lists. Creating deliverables.


  • All-Union State Institute of Cinematography

    Film Production

    The oldest film school in Europe.